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Howlett, D. Roger, (b. 1945) William Partridge Burpee: American Marine Impressionist
Boston Copley Square Press 1991 1st Edition. Oblong Quarto. Cloth in dust jacket. 96pp 61 color and20 black and white illustrations; Decorated endpapers; Foreword by William H. Gerdts; (Chronology); (Bibliography); (Index). Mint condition with mint dust jacket in original shipping carton.
Price: USD 29.95 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Howlett, D. Roger, (b. 1945) Gertrude Beals Bourne: Artist in Brahmin Boston
Boston Copley Square Press 2004 1st Edition. Oblong Quarto. Soft Cover 144pp 104 color and 9 black and white illustrations; Foreword by Patricia Hills; (Chronology); (Bibliography); (Index). Mint condition.
Price: USD 20.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Howlett, D. Roger, (b. 1945) Gertrude Beals Bourne: Artist in Brahmin Boston
Boston Copley Square Press 2004 1st Edition. Oblong Quarto. Soft Cover 144pp 104 color and 9 black and white illustrations; Foreword by Patricia Hills; (Chronology); (Bibliography); (Index). Mint condition.
Price: USD 20.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Howlett, D. Roger, (b. 1945) William Partridge Burpee: American Marine Impressionist
Boston Copley Square Press 1991 1st Edition. Oblong Quarto. Paperback. 96pp 61 color and 20 black and white illustrations; Foreword by William H. Gerdts; (Chronology); (Bibliography); (Index). Mint condition.
Price: USD 20.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Gärtner [Woman with Cap and Roses]
Signed lower left: GÄRTNER". In fine condition. 9 1/4 X 7 inches Signed lower left
Price: USD 900.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Wölfle, Franz Xavier, German (1887-1972) [Man with Covered Pipe in Red Vest and White Shirt]
Signed upper right: "FX Wölfle." In fine condition. 7 X 5 3/8 inches Signed upper right
Price: USD 1,100.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Schröpler, German? Rast an der landstrasse [Rest stop on the country road]
Signed lower left: "G [?] Schröpler / Mchn"; inscribed verso: "Rast an der landstrasse." In fine condition. 6 1/4 X 8 1/8 inches Signed lower left
Price: USD 1,200.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Gruber [Bavarian Peasant with Pipe]
Signed lower left: GRUBER". In fine condition. 8 1/2 X 6 3/8 inches Signed lower left
Price: USD 650.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Gruber [Monk with Wine Glass]
Signed lower right: GRUBER". In fine condition. 8 1/4 X 6 3/8 inches Signed lower right
Price: USD 650.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Gruber [Bavarian Man with Pipe and Feather in Cap]
Signed lower right: "GRUBER". In fine condition 8 1/4 X 6 3/8 inches Signed lower right
Price: USD 650.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Gärtner [Bavarian Man with Stein]
Signed lower right: "Gärtner". In fine condition. 10 X 8 inches Signed lower right
Price: USD 850.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Kramer, Jack, American (1923-1983) The Letter By Lamplight
20 X 20 inches from the estate of the artist
Price: USD 3,000.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Kramer, Jack, American (1923-1983) The Guitar Player II
"Guitar Player I" is dated 1962. 32 X 24 inches from the estate of the artist
Price: USD 3,200.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Kramer, Jack, American (1923-1983) [Balcony]
12 X 9 inches from the estate of the artist
Price: USD 750.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Kramer, Jack, American (1923-1983) [Butterfly Chair]
Signed and dated in pencil lower left,"Jack Kramer / 1966". From the estate of the artist. In fine condition. 17 3/4 X 20 inches Signed in pencil
Price: USD 350.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Kramer, Jack, American (1923-1983) Backview
Signed and titled in pencil lower right,"Jack Kramer/Backview". From the estate of the artist. In fine condition. 22 X 15 inches Signed in pencil
Price: USD 150.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Kramer, Jack, American (1923-1983) Two Backs
Signed in pencil lower right: "Kramer", and titled. Verso: female study in pencil. In fine condition. From the estate of the artist. 15 X 22 inches Signed in pencil
Price: USD 250.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Kramer, Jack, American (1923-1983) [Life Drawing Class]
Verso: Female Study in pencil. In fine condition aside from nicks along the margins, and paper lossin right corner, not extending to image. 15 X 22 inches From the estate of the artist
Price: USD 550.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Kramer, Jack, American (1923-1983) Guitar Player I
Inscribed on canvas verso: "GUITAR PLAYER I 1962". From the estate of the artist. 24 X 32 inches
Price: USD 3,200.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Kramer, Jack, American (1923-1983) Piper and Figures
From the estate of the artist. 23 X 28 inches
Price: USD 2,500.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Whistler, James A.M., American (1834-1903) Drury Lane Rags [London, England]
Chicago 25, State i/I. Way 21, Levy 34. Watermark 245 "Pro Patria," one of 47 posthumous impressions by Goulding May 26, 1904 (14 lifetime impressions by Way). Watermark identical to a print in the collection of the Hunterian Art Gallery at the University of Glasgow.signature in butterfly, lower right in facade. A fine impression in fine condition with full margins. 5 7/8 X 6 3/8 inches signed in the stone
Price: USD 3,800.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Whistler, James A.M., American (1834-1903) Conversation under the Statue, Luxembourg Gardens [Paris, France]
AIC 69, Way 44, Levy 71. Watermark 219 (Chicago), one of 55 impressions printed by Goulding March 28, 1904 (26 lifetime impressions by Way). Signed in butterfly lower right. A fine impression in fine condition with full margins. 6 3/4 X 6 inches signed in the stone
Price: USD 3,500.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Talcott, Dudley Vaill, American (1899-1986) [Cat Curled Up]
As the artist himself suggested, these small sculptures can act as both "paperweights par excellence" and "superb weapons of self defense." Talcott intended them "to feel of as well as to look at, to turn over in one's hands like a smooth stone picked up on a beach."Dudley Vaill Talcott had the great fortune to be born into an artistic and encouraging family and thus was free to pursue his artistic endeavors without being forced to construct a more commercial career from his talents. The artist's formal training includes a year at Yale University and several courses at Académie de la Grande Chaumière in Paris. In 1925 Talcott began traveling on and off for six years, most notably to Norway and Greenland; these travels inspired the artist to write and illustrate two related books, Noravind and Report of the Company. After his travels, Talcott began to exhibit his work: at the Museum of Modern Art in 1930, the Whitney Museum of American Art in 1938, the Worcester Museum of Art in 1941, and the 1932 Olympic International Competition and Exhibition, where his sculpture The Wrestler received an honorable mention. Talcott also received several important commissions throughout his career, including a group of bas relief panels for the 1939 New York World's Fair, colored windows constructed from fiberglass laminate displayed in seven Pennsylvania public schools, a sculpture honoring the 500th birthday of Copernicus erected in Philadelphia, and several commissions for private collections. After the 1939 World's Fair, Talcott began to move away from traditional styles and materials and began to move toward more modern styles and materials. He built a body of work in a style of industrial modernism that incorporated industrial design, cubism, streamlining, modernism, and what is now referred to as Art Deco. 2 1/2 X 4 X 3 inches
Price: USD 750.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Talcott, Dudley Vaill, American (1899-1986) [Cat at an Angle]
As the artist himself suggested, these small sculptures can act as both "paperweights par excellence" and "superb weapons of self defense." Talcott intended them "to feel of as well as to look at, to turn over in one's hands like a smooth stone picked up on a beach."Dudley Vaill Talcott had the great fortune to be born into an artistic and encouraging family and thus was free to pursue his artistic endeavors without being forced to construct a more commercial career from his talents. The artist's formal training includes a year at Yale University and several courses at Académie de la Grande Chaumière in Paris. In 1925 Talcott began traveling on and off for six years, most notably to Norway and Greenland; these travels inspired the artist to write and illustrate two related books, Noravind and Report of the Company. After his travels, Talcott began to exhibit his work: at the Museum of Modern Art in 1930, the Whitney Museum of American Art in 1938, the Worcester Museum of Art in 1941, and the 1932 Olympic International Competition and Exhibition, where his sculpture The Wrestler received an honorable mention. Talcott also received several important commissions throughout his career, including a group of bas relief panels for the 1939 New York World's Fair, colored windows constructed from fiberglass laminate displayed in seven Pennsylvania public schools, a sculpture honoring the 500th birthday of Copernicus erected in Philadelphia, and several commissions for private collections. After the 1939 World's Fair, Talcott began to move away from traditional styles and materials and began to move toward more modern styles and materials. He built a body of work in a style of industrial modernism that incorporated industrial design, cubism, streamlining, modernism, and what is now referred to as Art Deco. 4 X 4 X 1 1/2 inches
Price: USD 750.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Talcott, Dudley Vaill, American (1899-1986) [Cat Crouching]
As the artist himself suggested, these small sculptures can act as both "paperweights par excellence" and "superb weapons of self defense." Talcott intended them "to feel of as well as to look at, to turn over in one's hands like a smooth stone picked up on a beach."Dudley Vaill Talcott had the great fortune to be born into an artistic and encouraging family and thus was free to pursue his artistic endeavors without being forced to construct a more commercial career from his talents. The artist's formal training includes a year at Yale University and several courses at Académie de la Grande Chaumière in Paris. In 1925 Talcott began traveling on and off for six years, most notably to Norway and Greenland; these travels inspired the artist to write and illustrate two related books, Noravind and Report of the Company. After his travels, Talcott began to exhibit his work: at the Museum of Modern Art in 1930, the Whitney Museum of American Art in 1938, the Worcester Museum of Art in 1941, and the 1932 Olympic International Competition and Exhibition, where his sculpture The Wrestler received an honorable mention. Talcott also received several important commissions throughout his career, including a group of bas relief panels for the 1939 New York World's Fair, colored windows constructed from fiberglass laminate displayed in seven Pennsylvania public schools, a sculpture honoring the 500th birthday of Copernicus erected in Philadelphia, and several commissions for private collections. After the 1939 World's Fair, Talcott began to move away from traditional styles and materials and began to move toward more modern styles and materials. He built a body of work in a style of industrial modernism that incorporated industrial design, cubism, streamlining, modernism, and what is now referred to as Art Deco. 2 1/2 X 6 X 2 inches
Price: USD 750.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Soyer, Raphael, American (1899-1987) Portrait of Cynthia
Cole 108; Gettings 87. 63 in an edition of 95. Signed in pencil lower right: "Raphael Soyer". Signed on stone lower left: "Raphael Soyer". A fine impression in fine condition with full margins. 17 3/8 X 12 3/4 inches Signed in pencil
Price: USD 1,200.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Burpee, William Partridge, American (1846-1940) Willows Bordering A Stream
Signed lower left,"W.P.Burpee".Some burned edges at the top of the picture. The scorching was a result of the Harcourt Studio Building fire of November 11,1904. Burpee began making pastels with serious intent in the summer of 1900. He received a medal at the St. Louis Worlds Fair in 1904 for a pastel that he exhibited. This pastoral landscape with willows and cattle bordering a sunlit summer stream may be the same as, or closely related to the pastel that Burpee exhibited at the Boston Society of Watercolor Painters 16th annual exhibition at the Boston Art Club February 6-20, 1904; number 24 "Willows Bordering a Stream". Signed lower left "W. P. Burpee" 16 X 19 3/4 inches Signed lower left
Price: USD 4,000.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Hoffbauer, Charles, 1875-1957 Spanish Woman
Signed lower right: "C. Hoffbauer". Framed in a Spanish Renaissance style frame. 11 X 8 inches Signed lower right
Price: USD 1,800.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Jacque, Charles-Emile, French (1813-1894) Le Printemps
Guiffrey 179, state i or ii of IV. A fine impression on chine-collé, in fine condition aside from some foxing in the full margins and a 1/4 inch tear in the lower margin. Dimensions reflect platemark. 8 1/4 X 6 inches not signed
Price: USD 400.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

van der Venne, Fritz, German (1865-1929) [Landscape with Farmers Making Hay]
Signed lower right: "Fritz van der Venne-Munchen". In fine condition. 9 7/16 X 12 3/4 inches Signedlower right
Price: USD 4,000.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Botkin, Henry, American (1896-1983) In the Park [Central Park, New York]
Signed lower left: "Botkin". In fine condition. 14 3/4 X 13 1/4 inches signed lower left
Price: USD 4,500.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Sisson, Laurence, American (b. 1928) Mackerel Sky
Signed lower left: "L. Sisson". In fine condition. 22 X 30 inches signed lower left
Price: USD 3,800.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Van Ness, Beatrice Whitney, American (1888-1981) Houses at Bartlett's Harbour [North Haven, Maine]
From the estate of the artist. In fine condition. 14 7/8 X 20 7/8 inches
Price: USD 950.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

De Lue, Donald, American (1897-1988) Study for "The Right Hand of the Lord"
This is most likely a final study for The Right Hand of the Lord in the Virginia Polytechnic Institute, Blacksburg, Virginia, a commission which De Lue worked on from 1945 to 1960. In the chapel, The Right Hand of the Lord is carved in Indiana limestone and flanked on the left by Man Seeks God through Work and on the right by Man Seeks God through Prayer. The chapel was dedicated in May 1960. Signed verso: "Donald De Lue sc" 42 1/4 X 32 inches Signed verso
Price: USD 3,250.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Cameron, J., Scottish (b.1828) Jay Eye See
Arno 3588. Signed in plate lower right: "J. Cameron". Inscribed in plate lower left: "Published by Currier & Ives", lower center: "Copyright 1883, by Currier & Ives, N.Y.", lower left: "US Nassau St. New York". Title in plate lower center: "Jay Eye See/Record 2.10". A fine impression in good condition, aside from overall staining and water damage at edge, with full margins. 9 X 13 1/4 inches
Price: USD 425.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Baillie, James, British (b.c. 1806) Robert Burns and His Highland Mary
Inscribed in plate lower left: "Lith & Pub by J. Baillie 118 Nassau St. N.Y.", lower right: "Saule & Shaw New Bedford & 52 Cornhill, Boston, Mass.". Titled in plate lower center: "Robert Burns and His Highland Mary" and inscribed with two stanzas of poem. In verso, in pen: "Libby Lee Man original". A fine impression in good condition with overall toning, water stains not exceeding into image and tear in upper right edge. 12 1/2 X 8 1/2 inches
Price: USD 250.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Currier and Ives, 19th century The Tomb of Washington/Mount Vernon, VA
HTP 4243; Conningham 5060. Inscribed lower left: "Published by Currier & Ives". A fine impression in fine condition, aside from overall staining, with full margins. 11 1/2 X 15 3/4 inches
Price: USD 250.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Van Ness, Beatrice Whitney, American (1888-1981) Souvenir Victorian, Brookline, Massachusetts
Signed in watercolor lower center: "Beatrice Whitney Van Ness". From the estate of the artist. Included in the Van Ness retrospective and published in catalogue. In fine condition. 20 X 25 7/8 inches signed in watercolor
Price: USD 3,900.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Robinson, Florence, American (1874-1937) St. Margrite near Toulon [France]
From the estate of the artist. 11 X 15 1/4 inches from the estate of the artist
Price: USD 950.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Robinson, Florence, American (1874-1937) Near Toulon [France]
Signed in ink lower left: "Florence Robinson". In fine condition. From the estate of the artist. 11X 15 inches from the estate of the artist
Price: USD 1,200.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Robinson, Florence, American (1874-1937) Toulon, Southern France
Signed lower left, "Florence Robinson" 11 3/8 X 15 5/8 inches Signed lower left, "Florence Robinson".
Price: USD 1,200.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Robinson, Florence, American (1874-1937) [Garden View from Arches]
Signed lower right, "Florence Robinson". Study for flower pot verso. In fine condition aside from minor tear in upper left corner. 13 X 17 inches Signed lower right, "Florence Robinson"
Price: USD 1,500.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Robinson, Florence, American (1874-1937) Larz Anderson, Brookline [Massachusetts]
From the estate of the artist. 13 1/2 X 17 inches from the estate of the artist
Price: USD 1,800.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Robinson, Florence, American (1874-1937) Donjon d'Olivier de Clisson [France]
From the estate of the artist. Inscribed verso, "Donjon d'Olivier de Clisson/ Clisson (near Nantes)France". 11 X 15 1/4 inches from the estate of the artist
Price: USD 1,500.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Robinson, Florence, American (1874-1937) Llanza, Spain
From the estate of the artist. In fine condition. 11 X 15 3/8 inches from the estate of the artist
Price: USD 1,200.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Robinson, Florence, American (1874-1937) [Barn with Windmill]
From the estate of the artist. In fine condition. 10 1/2 X 14 3/4 inches from the estate of the artist
Price: USD 1,500.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Robinson, Florence, American (1874-1937) [French Gardens and Statuary]
Signed lower left, "Florence Robinson". Inscribed verso, "du monde". 14 1/4 X 20 1/2 inches Signedlower left, "Florence Robinson"
Price: USD 2,000.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Robinson, Florence, American (1874-1937) A French Gentleman (of the Old School)
Signed lower right: "Florence Robinson". In fine condition. 19 3/8 X 13 1/2 inches signed lower right
Price: USD 900.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Decaris, Albert, French (1901-1988) The Solitary Shrine
17 in an edition of 30. Signed in pencil lower right: "Decaris"; numbered lower left: "17/30". Titled lower left by Samuel Chamberlain: "The Solitary Shrine". Watermark is "Combourg" and "Marais a la main". A fine impression in fine condition with full margins.Illustration from a 1928 edition of "Combourg", the first of 3 parts of "Mémoires d'outre-tombe" (Memories out of the tomb), the posthumous autobiography of François-René de Chateaubriand (French 1768-1848) first published in 1848. Illustrated by Albert Decaris. Paris: Le Fuseau Chargé de Laine, 1928. Decaris made outside editions of 30 signed, numbered proofs of several prints illustrated in "Combourg". The image recalls Chateaubriand's own tomb which lies alone on a small islet off the Breton town of St. Malo. 10 1/8 X 7 3/4 inches Signed in pencil
Price: USD 475.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Cruikshank, George, British (1792-1878) Scene at the London Museum, Piccadilly
Cohn 212; Cohn 1959, State ii/II. From Cruikshankiana, An Assemblage of the Most Celebrated Works of George Cruikshank, published in London by Thomas McLean in 1835. Signed in plate lower right: "G. Cruikshank fect". Inscribed in plate lower center: "Pubd by Tho s Mc Lean, 26 Haymarket Aug 1st 1835." A fine impression in fine condition aside from staining at edges, 1/4 inch upper and lower margins, and 1/4 inch side margins.This print shows a British crowd viewing Napoleon's carriage in the London Museum after it was captured at Waterloo. 10 1/4 X 14 inches signed in plate lower right
Price: USD 425.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Cruikshank, George, British (1792-1878) Le Retour de Paris, or the niece presented to her relatives by her French Governess (The Return from Paris)
Cohn 212; Cohn 1314. From Cruikshankiana, An Assemblage of the Most Celebrated Works of George Cruikshank, published in London by Thomas McLean in 1835. Inscribed in plate lower center: "EHL del 1816--Etched by G. Cruikshank". Inscribed lower left: "Pubd by Tho s Mc Lean, 26 Haymarket Aug 1st 1835." Inscribed from left to right: "Well-aday Aunt! Monstrosities are these?" and "In the name of all that's Christian speak & say What you are, & where you come from, you Hottenpots, _Aye don't talk to me of Turpuschore / & GreenOwls or any of your Hocuspocus nonsense / Speak plain English you Mountelianks do - or I'll make you answer before my Husband on of his Majesty's Justices_I will." and "Madame j'ai l'honneur de vous presenter votre Niece, elle est tout a fait Française, parle notre langue à la per-fection, chante comme un Ange, danse comme Terpsicore elle même mange les Grenouilles._" (Madame I have the honor to present your Niece, she is completely French, speaks our language perfectly, sings like an angel, dances like a Terpsichore, she even eats frogs.) and "Ma chere Tante Mon Oncle ma Soeur, ne con-naissez vous pas votre petite Emilie?" (My dear Aunt my Oncle my Sister don't you recognize your little Emily?) and "Oh Diable! comme je tremble quand je regarde le visage menaçant de ce grand Monsieur Bull et quand j'entend la voix barbare de cette Grenadiere je suis pret à mourir_mais je me cacherai autant que je peux derriere Madame_". (Oh Devil! as I tremble when I look at the menacing face of the big Mr. Bull, and when I hear the barbaric voice of this Grenadiere I am ready to die_but I will hide myself as much as I can behind Madame.) A fine impression in fine condition aside from staining at edges, 1/8 inch upper and lower margins. 10 3/4 X 14 1/2 inches signed in plate lower center
Price: USD 425.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Phillips, John, British (active 1825-1842) The Return from the Continent; or the family puzzled
Inscribed in plate lower center: "Phillips, fec". Inscribed lower right: "Pubd by Tho s Mc Lean, 26Haymarket Aug 1st 1835." A fine impression in fine condition aside from staining at edges, 1/8 inch upper and lower margins, full side margins.. 10 3/4 X 14 1/2 inches signed in plate lower center
Price: USD 375.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

de Bruyn, Nicolaes, Flemish (1571-1656) Surgentes Autem Seniores
Hollstein 31-34; von Wurzbach 10. From "The Story of Susanna". Titled and inscribed in plate lower left in plate: "Surgentes Autem Seniores Illi Duo In Medio Populi Imposuerunt Manus Capiti Suo / Adj. ad. Dan. XIII. 34"; inscribed in plate lower center: "P. Schenk exc. A.C.P." A fine impression in fine condition.From Daniel 13:34Now Susanna was exceedingly delicate, and beautiful to behold. But those wicked men commanded that her face should be uncovered, (for she was covered,) that so at least they might be satisfied with her beauty. Therefore her friends and all her acquaintances wept. But the two elders rising up in the midst of the people, laid their hands upon her head. And she weeping looked up to heaven, for her heart had confidence in the Lord. 25 X 18 inches
Price: USD 3,500.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Beck, Leonhard, German, c1480-1542 Saint Sigismundus [St. Sigismund], No 101
Hollstein II 170. Numbered in block upper right: "101". From the 1799 edition of the "Images of the Saints Connected to the Royal Family of Maximilian", printed by Adam von Bartsch (1757-1821). A fine impression in fine condition aside from slight stain in lower margins, slight foxing in right margin, with full margins. The original "Images of the Saints", a series of 119 woodcuts, was completed by Hans Burgkmair (1473-1531), Hans Schaufelein (ca.1480-1540), and Leonhard Beck at the court of the Hapsburg Holy Roman Emperor Maximilian I (1459-1531). The series was one of many commissioned by Maximilian to immortalize his reign as emperor. Most of the series were printed in very few impressions during the emperor's reign and remain very rare. Bartsch printed a new edition of the series after securing the original blocks in the 1790's. Beck designed woodcuts at the court of Maximilian I from 1512 until the early 1520s.St. Sigismundus, 5th king of the Burgundians and martyr, held court at Geneva. In 516 he succeeded his father, and in 517 convened a council. The extent of his dominion included Burgundy, Dauphiny and Savoy, the city and dominion of Lyons and the Valais, besides a part of the present Switzerland. In 523 Burgundy was invaded and Sigismund was defeated and fled to St. Maurice, where he was betrayed by his own subjects and carried prisoner in the garb of a monk to Orleans. Shortly afterwards, with his wife and two children, he was murdered at the neighboring village of Coulmiers, by being cast alive, as was said, into a well. 9 3/8 X 8 1/2 inches
Price: USD 385.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Beck, Leonhard, German, c1480-1542 Saint Simpertus, No 103
Hollstein II, 170. Numbered block upper right: "103". A fine impression in fine condition aside from slight stain in bottom margin, slight foxing in right margin, full margins. The original "Images of the Saints", a series of 119 woodcuts, was completed by Hans Burgkmair (1473-1531), Hans Schaufelein (ca.1480-1540), and Leonhard Beck at the court of the Hapsburg Holy Roman Emperor Maximilian I (1459-1531). The series was one of many commissioned by Maximilian to immortalize his reign as emperor. Most of the series were printed in very few impressions during the emperor's reign and remain very rare. Bartsch printed a new edition of the series after securing the original blocks in the 1790's. Beck designed woodcuts at the court of Maximilian I from 1512 until the early 1520s.Saint Simpertus, (750-818), was a student and monk at Murbach Abbey near Colmar, Alsace, France. He became Bishop of Augsburg, Germany in 778, and continued to function as abbot. He is remembered for his restoration of ecclesiastical discipline and improved theological studies in his see. He is known as one of the three patron saints of Augsburg, along with St. Afra, and St. Ulrich. 9 1/4 X 8 1/4 inches
Price: USD 385.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Beck, Leonhard, German, c1480-1542 Saint Tratbertus, No 107
Hollstein II, 170. Numbered in block upper right: "104". A fine impression, in fine condition on laid paper. With slight stain at lower bottom margin and slight scattered foxing at paper edges, not affecting image, full margins. The original "Images of the Saints", a series of 119 woodcuts, was completed by Hans Burgkmair (1473-1531), Hans Schaufelein (ca.1480-1540), and Leonhard Beck at the court of the Hapsburg Holy Roman Emperor Maximilian I (1459-1531). The series was one of many commissioned by Maximilian to immortalize his reign as emperor. Most of the series were printed in very few impressions during the emperor's reign and remain very rare. Bartsch printed a new edition of the series after securing the original blocks in the 1790's. Beck designed woodcuts at the court of Maximilian I from 1512 until the early 1520s. 9 1/4 X 8 1/2 inches
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offered by: Childs Gallery Limited   (USA)

Beck, Leonhard, German, c1480-1542 Saint Udalricus [St. Ulrich], No 109
Hollstein II, 170. Numbered in block upper right: "109". A fine impression, in fine condition on laid paper. With slight stain at lower bottom margin and slight scattered foxing at paper edges, not affecting image, with full margins. The original "Images of the Saints", a series of 119 woodcuts, was completed by Hans Burgkmair (1473-1531), Hans Schaufelein (ca.1480-1540), and Leonhard Beck at the court of the Hapsburg Holy Roman Emperor Maximilian I (1459-1531). The series was one of many commissioned by Maximilian to immortalize his reign as emperor. Most of the series were printed in very few impressions during the emperor's reign and remain very rare. Bartsch printed a new edition of the series after securing the original blocks in the 1790's. Beck designed woodcuts at the court of Maximilian I from 1512 until the early 1520s.Saint Udalricus (St. Ulrich) was the bishop of Augsburg (973), who boldly defended the town at the time of the invasion of the Hungarians. In this life the bishop has a miraculous vision of St Afra, who takes him on a pilgrimage by night and points out the site where he afterwards founded a monastery, known to later ages as the monastery of St Ulrich and St Afra. He is known as one of the three patron saints of Augsburg, along with St. Afra, and St. Simpert. 9 1/4 X 8 1/4 inches
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offered by: Childs Gallery Limited   (USA)

Beck, Leonhard, German, c1480-1542 Saint Wolfgangus [St. Wolfgang], No 118
Hollstein II, 170. Numbered in block upper right: "118". A fine impression, in fine condition on laid paper. With dampstain at lower bottom margin and a 1/8" foxing stain near church roof. Also with slight scattered foxing at paper edges, not affecting image, with full margins. The original "Images of the Saints", a series of 119 woodcuts, was completed by Hans Burgkmair (1473-1531), Hans Schaufelein (ca.1480-1540), and Leonhard Beck at the court of the Hapsburg Holy Roman Emperor Maximilian I (1459-1531). The series was one of many commissioned by Maximilian to immortalize his reign as emperor. Most of the series were printed in very few impressions during the emperor's reign and remain very rare. Bartsch printed a new edition of the series after securing the original blocks in the 1790's. Beck designed woodcuts at the court of Maximilian I from 1512 until the early 1520s.Saint Wolfgangus (934-994) is known as one of the three brilliant stars of the tenth century, St. Ulrich, St. Conrad, and St. Wolfgang. After the death of Archbishop Henry of Trier, a close friend of St. Wolfgang, Wolfgang entered the Order of St. Benedict in the Abbey of Maria Einsiedeln, Switzerland, and was ordained priest by St. Ulrich in 968. After the death of Bishop Michael of Ratisbon, Bishop Piligrim obtained from the emperor the appointment of Wolfgang as Bishop of Ratisbon. After the summer of 983, St. Wolfgang withdrew as a hermit to a solitary spot, now the Lake of St. Wolfgang, apparently on account of a political dispute, but probably in the course of a journey of inspection to the monastery of Mendsee which was under the direction of the bishops of Ratisbon. He was discovered by a hunter and brought back to Ratisbon. While traveling on the Danube to Lower Austria, he fell ill at the village of Pupping, and at his request, was carried into the chapel of St. Othmar, where he died. 9 1/4 X 8 1/4 inches
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offered by: Childs Gallery Limited   (USA)

Beck, Leonhard, German, c1480-1542 Saint Wunnibaldus [St. Wunibald], No 119
Hollstein II, 170. A fine impression, in fine condition on laid paper. With dampstain at lower bottom margin and a a 1/8" foxing stain near scaffold. Also with slight scattered foxing at paper edges, not affecting image. The original "Images of the Saints", a series of 119 woodcuts, was completed by Hans Burgkmair (1473-1531), Hans Schaufelein (ca.1480-1540), and Leonhard Beck at the court of the Hapsburg Holy Roman Emperor Maximilian I (1459-1531). The series was one of many commissioned by Maximilian to immortalize his reign as emperor. Most of the series were printed in very few impressions during the emperor's reign and remain very rare. Bartsch printed a new edition of the series after securing the original blocks in the 1790's. Beck designed woodcuts at the court of Maximilian I from 1512 until the early 1520s.Saint Wunibald, was born in Wessex, England, and went on a pilgrimage to Rome and the Holy Land with his brother and father. When their father died at Lucca, the brothers proceeded to Rome. Wunibald remained in the Eternal City while his brother went on to the Holy Land. Wunibald studied in Rome for seven years, went back to England, but then returned to Rome determined to enter the religious life. At the invitation of St. Boniface, he gathered together a group of English missionaries and went to Germany in 739. Wunibald was ordained, labored in Thuringia and Bavaria, and then joined his brother in his missionary work in Holland. With his brother, he founded the monastery in Germany, where he served as abbot with his sister as abbess. He struggled against the local pagans and strove to make the monastery one of the leading ecclesiastical centers in Germany. St. Wunibald died in 761. 9 X 9 inches
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offered by: Childs Gallery Limited   (USA)

Solis, Virgilius, German (1514-1562) The Death of Ahab (from Biblical Scenes of the Old Testament . . .)
Bartsch 1; TIB 1.64; Ubisch 64. From a two-part series of 218 woodcuts originally published in Frankfurt in 1565 and titled; "Biblische Figuren des Alten Testaments . . ." Depicts 1 Kings 22 . Others from this series signed in block with the artist's monogram: "VS". A fine impression, rich and clear, in fine condition on laid paper, trimmed 1/8" beyond image. With Dutch text verso. Hinged to a collector's sheet.From a 1564 edition of the Luther Bible, published in Frankfurt by Sigmund Feyerabend and Simon Huter, and illustrated with woodcuts by Virgil Solis (1514-1562). 4 1/2 X 6 inches
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Musi (Agostino Veneziano), Agostino, Italian (1490-1540) The Emperor Freeing the Slave Androcles, or The Emperor Meeting the Warrior
Bartsch 196; TIB 96; Passavant VI, 54, 36; Shoemaker and Broun 68. Signed in plate with the artist's monogram: "A.V.". Also signed in plate with the empty tablet of Marcantonio Raimondi. Verso bears collector's stamp in blue of the Dukes d'Arenberg Collection, (Lugt 567). A strong 16th century impression, in very good condition aside from a repaired tear at right horse's chest, oily stains verso in two locations (not affecting image recto), and a repaired centerline fold verso; trimmed outside image borderline, with complete borderline visible on all sides around. This impression is comparable to the second best impression at the Museum of Fine Arts, Boston.As Shoemaker states, this "double signature" may indicate a collaborative work with Marcantonio Raimondi. 15 3/4 X 10 1/2 inches
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offered by: Childs Gallery Limited   (USA)

Ghisi, Giorgio, Italian (1520-1582) The Prophet Jeremiah [after Michelangelo Buonarotti (1475-1564)]
Bartsch 17; Boorsch Lewis and Lewis 48, iii/iv. Titled in image center : "HIEREMIAS"; inscription in image lower center: "Nic.° Van aelst formis / Romæ". Watermark of a fleur-de-lys in double circle with B and arrow appears in central figure's beard (Boorsch Lewis and Lewis 21). A strong and rich impression in fine condition trimmed on or just within platemark. Subject is after Michelangelo's (1475-1564) fresco of Jeremiah the prophet in the Sistine Chapel, painted between 1508-1512. 22 X 17 inches
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Calapai, Letterio, American (1902-1993) Self-Portrait
1 in an edition of 35. Signed and dated in pencil lower right: "L. Calapai '47"; titled and numbered in pencil lower left. Monogrammed in block lower left. A fine impression in fine condition with full margins. 6 X 8 7/8 inches Signed in pencil
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Calapai, Letterio, American (1902-1993) Conversation
3 in the edition of 30 printed in 1933. A later edition of 22 proofs on cream japanese paper, plusan additional 4 on various papers, was printed in 1993; the block from the later edition measures approximately 1/8" less in width. Signed and dated in pencil lower right: "L. Calapai '33; titled in pencil lower left: "Conversation"; numbered in pencil lower center: 3/30". Initialed in image lower right: "LC." A fine impression on in fine condition with full margins. 5 9/16 X 4 3/16 inches signed in pencil
Price: USD 375.00 other currencies   details     inquire
offered by: Childs Gallery Limited   (USA)

Calapai, Letterio, American (1902-1993) Sea Swirl
2 in an edition of 30. Signed in pencil lower right: "L. Calapai"; titled in pencil lower left: "Sea Swirl"; numbered in pencil lower center: "2/30". A fine impression, printed in lavender, orange and black, in fine condition with full margins. This print shows the influence of Stanley Hayter’s workshop, Atelier 17, on Calapai’s printmaking. 9 X 6 3/4 inches Signed in pencil
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Calapai, Letterio, American (1902-1993) Below the Bridge [Brooklyn Bridge, New York]
42 in an edition of 75. Signed and dated in pencil lower right: "L. Calapai '83"; titled in pencillower left: "Below the Bridge"; numbered lower center: "42/75". Monogrammed in block lower right: "L.C." A fine impression in fine condition aside from soft crease in upper margin, with full margins. 6 X 8 inches Signed in pencil
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Calapai, Letterio, American (1902-1993) Negro Bible Series: Ruth and Naomi (b.) (Ruth 1:14)
Unnumbered proof outside the final edition of 50. Signed in pencil lower right: "L. Calapai". A fine impression in fine condition with full margins.As published in "How God Fix Jonah" by Lorenz Graham (1902-1989). Foreword by W. E. Burghardt Du Bois. With illustrations by Letterio Calapai. New York: Reynal and Hitchcock, 1946. A retelling of biblical stories "in the words and thought patterns of a modern African boy who does not know Western civilization and does not use the conventional words and phrases which by long usage often obscure the meaning of these tales in the minds of Europeans and Americans" (forward by W.E.B. Du Bois).Good in She Heart: "Orpah, she cry small / She kiss the old lady / She head hang down but she go. / But Ruth ain't go / She hold on. / 'No, no, no, I can't left you. / And Naomi say / 'You ain't see your sister done go?' / But Ruth fall down and cry / She hold Naomi's foot." - Lorenz Graham, from "How God Fix Jonah"Ruth 1:14: "At this they wept again. Then Orpah kissed her mother-in-law good-by, but Ruth clung to her." (NIV) 5 1/4 X 4 inches Signed in pencil
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offered by: Childs Gallery Limited   (USA)

Calapai, Letterio, American (1902-1993) Negro Bible Series: The Finding of Moses (a.) (Exodus 2:6)
Proof outside final edition of 50. A fine impression in fine condition with full margins.As published in "How God Fix Jonah" by Lorenz Graham (1902-1989). Foreword by W. E. Burghardt Du Bois. With illustrations by Letterio Calapai. Reynal and Hitchcock, New York, 1946. A retelling of biblical stories "in the words and thought patterns of a modern African boy who does not know Western civilization and does not use the conventional words and phrases which by long usage often obscure the meaning of these tales in the minds of Europeans and Americans" (forward by W.E.B. Du Bois).Pican in River Grass: "And God send Pharoah's daughter to that place. / She go to wash she skin / She go there with she women / And when she lay off all she clothes / She splash about and play. / She stop cause she hear something / When she look she find the basket / And she heart make big inside / When she see the pican laying there and crying." - Lorenz Graham, "How God Fix Jonah"Exodus 2:5-6: "Then Pharaoh's daughter went down to the Nile to bathe, and her attendants were walking along the river bank. She saw the basket among the reeds and sent her slave girl to get it. She opened it and saw the baby. He was crying, and she felt sorry for him. 'This is one of the Hebrew babies,' she said." (NIV) 5 1/4 X 4 inches
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offered by: Childs Gallery Limited   (USA)

Calapai, Letterio, American (1902-1993) Negro Bible Series: The Christ Story - God (Mark)
Unnumbered proof outside final edition of 50. Signed in pencil lower right: "L. Calapai". A fine impression in fine condition with full margins.As published in "How God Fix Jonah" by Lorenz Graham (1902-1989). Foreword by W. E. Burghardt Du Bois. With illustrations by Letterio Calapai. Reynal and Hitchcock, New York, 1946. A retelling of biblical stories "in the words and thought patterns of a modern African boy who does not know Western civilization and does not use the conventional words and phrases which by long usage often obscure the meaning of these tales in the minds of Europeans and Americans" (forward by W.E.B. Du Bois).Every Man Heart Lay Down: "Long time past / Before you papa live / Before him papa live / Before him pa's papa live -- / Long time past / Before them big tree live / Before them big tree's papa live -- / That time God live."- Lorenz Graham, from "How God Fix Jonah"Mark 1:1 "The beginning of the gospel about Jesus Christ, the Son of God" (NIV) 2 3/4 X 3 7/8 inches Signed in pencil
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offered by: Childs Gallery Limited   (USA)

Calapai, Letterio, American (1902-1993) Look Homeward Angel, plate 06: his remote unpractical brooding face . . .
Artist's proof. From the set of 25 original wood engravings inspired by Thomas Wolfe's "Look Homeward Angel". Initialed in plate lower right: "LC". Signed in pencil lower right: "L.Calapai", and inscribed lower left: "(A/P.)". Initialed in lower left: "LC". A fine impression in fine condition with full margins. 10 1/2 X 6 1/4 inches signed in pencil
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offered by: Childs Gallery Limited   (USA)

Calapai, Letterio, American (1902-1993) Look Homeward Angel, plate 24: The great stars rode proudly up into heaven . . ."
From the set of 25 original wood engravings inspired by Thomas Wolfe's (1900-1938) "Look Homeward Angel", first published in 1929. Artist's proof before edition of 200. Signed in pencil lower right: "L.Calapai"; inscribed lower left: "A/P". Monogrammed in block lower right: "LC". A fine impression in fine condition with full margins. The full text reads: "The great stars rode proudly up into heaven. / And just over him, just over the town, it seemed, / there was one so rich and low he could have / touched it. Ben's grave had been that day / freshly sodded." 10 1/2 X 6 1/4 inches Signed in pencil
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Calapai, Letterio, American (1902-1993) 11:45 P.M.
3 in an edition of 30. Relief print in blue-black ink. Signed in pencil lower right: "L. Calapai". Titled and inscribed in pencil lower left: "11:45 P.M. (relief print in Blue-Blk)". Numbered in pencil lower center: "3/30". Inscribed in pencil lower right: "Ed. 30". A fine impression in fine condition with full margins. 19 1/2 X 11 1/2 inches Signed in pencil
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Calapai, Letterio, American (1902-1993) Harvest
Artist's proof 4 before the final edition of 25. Signed and dated in pencil lower right: "L. Calapai '45". Monogrammed in plate lower right. Titled lower left: "Harvest". Inscribed in pencil lower right: "for Jean '63". A fine impression in fine condition with full margins. 8 X 18 1/2 inches Signed in pencil
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Calapai, Letterio, American (1902-1993) Interior or Afternoon Nap
Artist's proof before the final edition of 25. Signed and dated in pencil lower right: "L. Calapai'88"; titled and inscribed in pencil lower left: "Afternoon Nap (Artist's proof)". Monogrammed in plate lower right and embossed with the artist's stamp: "LC imp". Dedicated to the artist's wife from her personal collection: "for my wife, Jean". A fine hand-colored impression in fine condition with full margins. 10 7/8 X 8 1/2 inches Signed in pencil
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Calapai, Letterio, American (1902-1993) Bedrock Moon Illumination
Artist's proof before final edition of 50. Signed and dated in pencil lower right: "L. Calapai '87"; titled and dedicated in pencil lower left: "'Bedrock Moon Illumination' A/P. / Poetry by Antler / for my wife, Jean". A fine impression in fine condition with full margins. 9 3/4 X 6 1/2 inches Signed in pencil
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Calapai, Letterio, American (1902-1993) Play of Snow
Artist's Proof before the final edition of 30. Signed and dated in pencil lower right: "L. Calapai'87"; titled and inscribed in pencil lower left: "Play of Snow (Artist's proof 1)". Dedicated to the artist's wife from her personal collection: "For my wife, Jean". Monogrammed in block lower right. A fine impression in fine condition with full margins. 8 3/8 X 10 7/8 inches Signed in pencil
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Calapai, Letterio, American (1902-1993) Still Life
Artist's proof before the final edition of 58. Signed and dated in pencil lower right: "L. Calapai'85"; titled in pencil lower left: "Still Life (Artist's proof 1)" Monogrammed in block lower right. Dedicated to the artist's wife from her personal collection: "for my wife Jean". A fine impression in fine condition with full margins. 12 X 10 inches signed in pencil
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Calapai, Letterio, American (1902-1993) No